How to Start a Choir
Starting a choir is one of the most rewarding things you can do as a musician. When I founded The Phoenix Consort at Durham University, it began with a simple idea and a handful of enthusiastic singers. Today it is an award-winning ensemble that has performed across the UK and internationally. Here is what I have learned along the way.
1. Define Your Vision
Before recruiting a single singer, get clear on what kind of choir you want to create. Are you building a community choir that welcomes all abilities? A chamber ensemble focused on a specific repertoire? A youth choir? A church choir? Your vision will shape every decision that follows – from repertoire to rehearsal schedule to the singers you attract.
Think about the repertoire you want to perform. A choir specialising in Renaissance polyphony will attract different singers than one focused on pop and show tunes. Neither is better – but clarity helps you find the right people from day one.
2. Find Your First Singers
You do not need dozens of singers to start – even 8 to 12 committed people is enough for a first rehearsal. Spread the word through local music networks, social media, community noticeboards, churches, and universities. Personal invitations to singers you already know are often the most effective starting point.
Be upfront about your expectations. If you want committed singers who will attend regularly, say so. If you want to be open and welcoming to beginners, make that clear. The tone you set in your first communications will define the culture of your choir.
3. Choose a Rehearsal Space
You need somewhere with reasonable acoustics, enough space for your singers, and availability at a regular time. Church halls, school music rooms, community centres, and even pubs with function rooms can all work well. The important thing is consistency – a regular time and place that people can commit to.
Consider access to a piano or keyboard, parking, and public transport links. A welcoming, comfortable space makes a real difference to retention, especially in the early weeks when people are deciding whether to come back.
4. Plan Your First Rehearsal
Your first rehearsal sets the tone for everything that follows. Start with a warm-up that is engaging but not intimidating – simple vocal exercises that get people singing together quickly. Choose one or two pieces that are accessible enough to make progress in a single session, so everyone leaves feeling they have achieved something.
Build in time for people to introduce themselves and socialise. A choir is a community, and the social bonds between singers are as important as the music in keeping people coming back week after week.
5. Build Repertoire Gradually
Resist the temptation to programme too ambitiously too soon. Start with pieces that your singers can learn and perform well within a few weeks. Early wins build confidence and momentum. As your choir grows in ability and numbers, you can gradually introduce more challenging material.
Mix familiar and unfamiliar repertoire. A piece people already know gives them an anchor, while new music keeps things fresh and stretches their skills. Think about variety too – different periods, languages, and styles keep rehearsals interesting.
6. Set a Goal
Nothing motivates a choir like working towards a performance. Even if it is an informal concert for friends and family, having a date in the diary gives rehearsals purpose and urgency. It also gives your singers something to invite people to, which is one of the best ways to recruit new members.
Your first performance does not need to be grand. A short set at a local event, a carol service, or even a lunchtime recital can be the perfect first outing. The key is giving your singers the experience of performing together and the satisfaction that comes with it.
7. Keep the Momentum Going
The hardest part of running a choir is not starting it – it is sustaining it. Communicate regularly with your singers between rehearsals. Be consistent with scheduling. Celebrate your successes. Listen to feedback. And remember that people join a choir for the combination of music and community – nurture both.
As your choir establishes itself, think about building a social media presence, creating a simple website, and developing a regular performance calendar. These things take time, but they help your choir grow its audience and attract new singers organically.
Need Help Getting Started?
Adam is available for choir workshops and as a guest conductor to help new choirs find their feet. Whether you need help choosing repertoire, developing vocal technique, or preparing for your first performance, Adam can provide the expertise and encouragement to get your choir off the ground.
Useful Resources
- Making Music – The UK association for leisure-time music groups, with guidance on setting up and running a choir
- Association of British Choral Directors (ABCD) – Professional development, resources and networking for choral directors
- How to Hire a Guest Conductor – Adam’s guide to finding the right guest conductor for your choir
- Choral Warm-Up Exercises – Essential warm-ups for every rehearsal
About the Author

Adam Whitmore is a conductor, baritone singer and music educator based in the UK. He is the founder and director of The Phoenix Consort, an award-winning chamber choir. Adam holds a degree in Music from Durham University and has conducted and performed across the UK and internationally.
Learn more about Adam as a conductor | Learn more about Adam as a singer